![]() An excellent metaphor for this cultural phenomena and our consumption of these kinds of cases that ultimately sideline cases of missing women of color. How they are the ones who receive the coverage necessary to get their cases solved while missing women of color are disproportionately covered on the news. This particular episode, unconsciously or not, serves as the perfect framework with the media’s fascination with the missing cases of young white women. He could’ve gotten away with it had he not said anything, but because Julie received constant coverage, he cracked under his obsession with her because of the constant media exposure Julie’s case got. A man named Howard 'fesses up to the murder, and it’s eventually proven that he did commit the murder. Her disappearance becomes an instant national sensation as the media picks up on her case. Forcing victims to read their suicide notes is a new level of sadism that CSI skillfully weaves into the character makeup of this killer.Ī poster episode for what is commonly referred to as the “white woman syndrome” in our cultural subconscious, this episode tackles the case of a missing young showgirl named Julie Waters. This time, it’s a killer set on reenacting his traumatic past through the forced suicides of his victims. It’s not the usual female victim, the sole focus of all the violence. It’s a clever way of reintroducing the serial killer trope to the crime drama. What’s more chilling than a serial killer that is intimately familiar with the ins and outs of forensic science? ![]() It’s all perfectly staged, down to the voice recording of the victim’s alleged suicide note. This particular serial killer hones in on Gil, using his handprints in multiple crime scenes to taunt him.Ĭalled out to what seems to be a suicide, Gil soon discovers there’s an eerie similarity to the case he encountered back in the pilot episode. “Anonymous” ushers in the seasonal serial killer cases CSI focuses on throughout the series. Only someone who'd imbibed quite a bit would believe that 16 million viewers will endure the painful download and registration process, and learn the strange byways of Second Life, just to get a glimpse of a virtual Sinise at work.The first is always unforgettable the first serial killer case, that is. Well, that makes a certain sense, if you're sloshed. The way Zuiker tells it, CBS bought a stake in 3-D-world content developer Electric Sheep and realized it needed to do something with it. "What you'll see is Gary Sinise's avatar be downloaded. Zuiker, divulging the details to columnist Ellie Gray at a CBS party, seems to have been confused, and possibly more than a little drunk. The premise is similar to alternate-reality games - a genre which crosses between the Web and real life, in which authors scatter a collection of mysterious puzzles online and offline, already practiced by ABC ( Lost) and NBC ( Heroes) to maintain viewer attention between broadcasted episodes. The television conclusion will air sometime in the spring. ![]() Viewers can then follow the Gary Sinise avatar into Second Life, where they'll help solve the mystery in a virtual Crime Lab. This fall, Gary Sinise, the lead on CSI: New York, will chase a killer into virtual worlds. ![]() The bad news is that creator Anthony Zuiker has decided to build a CSI-branded crime lab in Second Life. The good news is that we're not going to get a fourth painfully derivative iteration of CBS's CSI: Crime Scene Investigation franchise. This image was lost some time after publication. ![]()
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